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Irja

by ONOMI

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  • Record/Vinyl + Digital Album

    12" vinyl version of Irja. 180 g limited red vinyl edition and digital

    Includes unlimited streaming of Irja via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 1 day
    edition of 50 

      200 SEK or more 

     

  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

      name your price

     

1.
Bliss 03:00
2.
Irja p. 1 03:37
3.
Kal Zathynn 06:01
4.
Not Bliss 02:15
5.
Gloria 06:48
6.
7.
Irja p. 2 02:11

about

Imagine a future where humans are gone from the face of the earth, and the machines left behind tell each other stories in synthesizer voices and distorted chirps. Onomi’s new release, Irja, could be an approximation of what this unknown future would sound like.

The record itself is a collection of electronic pieces composed and recorded over the course of five years. Its seven tracks are as beautiful as they are unsettling, as melodic as they are washed out. Here, Onomi has mixed elements of classical counterpoint and electro-acoustic composition with rough electronic soundscapes, sometimes reminiscent of videogame music. Several tracks were originally composed for short films, and Irja is indeed Onomi’s most cinematic release to date.
Onomi offers the following description of Irja: a sexless, artificial machine, like HAL 9000 in Stanley Kubrick’s 2001: A Space Odyssey. However, unlike HAL, Irja is not antagonistic, but a friendly machine that wishes everybody well.

For those brave enough to venture into this strange but friendly future, Onomi’s new album is out now in physical form as a Limited 12” 180g Red Vinyl version and in digital format on Bandcamp!

credits

released September 7, 2019

Album cover by Erik Solin
Press text by Peter Tóth
Production, mix and composition by Gustaf Lundh
Mastered at EAP: Elektroakustisk Produktion

license

all rights reserved

tags

about

ONOMI Sweden

Experimental and purely electronic music endeavour, anno 2008, by Gustaf Lundh.

While FIKTION has been exploring acoustics and incorporated lyrics / narratives, ONOMI is on the other hand all instrumental and with an electronic foundation. Mixed elements of classical counterpoint and electro-acoustic composition. Rough electronic soundscapes, sometimes reminiscent of videogame music. ... more

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